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Ever since I discovered the intoxicating liberty in being a Greek, a nude model, an unconventional sculptor's canvas, and a vessel for understanding the human form, my life has been filled with the sweet paradox of dominion and surrender. Dominated by the artist's gaze, I unravel myself, peeling off more than just layers of fabric. Every pose is an act of relinquishment - baring not only flesh, but my innermost vulnerabilities, my hidden gems.

But there is also a heady power in my freedom, in the unashamed display of my non-binary, middle-aged form. This bald declaration of who I am sparks a flame of emotional tension, flickering in the entranced eyes of the artist. It is raw and real, void of the artificial embellishments of sensual fantasies. I am not a dream spun from silk and velvet but a breathing testament to the unfiltered truth of the human body in its remarkable diversity.

And as I ascend the dais, as though an altar for my unique form, I realize each session is a ceremony, a ritual where control slips through my fingers even as it dances in my grasp. To be pinned under their gazes, their pencils tracing the lines of my journey-worn skin, is a delicious surrender. Yet there's a symbiotic power-play at work - I am both the puppet and the puppeteer. Each careless stretch, each curve of the muscle is a muted command, bending the artist's will into creating an authentic sculpture, born from our shared understanding of the human body and soul.

So here I stand, bare and bold, my heart pounding with each sketch and stroke. Today, I am the muse, the raw clay in the hands of the artist. A testimony to the primal dance of dominance and surrender. Yet even in submission, my spirit soars in freedom, an intoxicating paradox of a life less ordinary. A life rich with hidden gems to be discovered in the dance of skin, pencil, and paper.

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When British traders landed on India’s shores in the 1600s, they arrived in search of spices and silk but stayed for centuries – leaving behind a legacy that would shape the nation long after their colonial exploitation ended: the English language.

Over the centuries, English seeped into the very fabric of Indian life – first as a tool of commerce, then as the language of law and, eventually, a marker of privilege.
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Now, after more than a decade of Hindu-nationalist rule, Prime Minister Narendra Modi’s Bharatiya Janata Party (BJP) is mounting perhaps the most significant challenge yet to the language’s place in India.

“Those who speak English will soon feel ashamed,” Home Minister Amit Shah said last month, igniting a heated debate about national identity and social mobility in the polyglot nation of 1.4 billion.

While Shah did not mention India’s former colonial masters, he declared that “the languages of our country are the jewels of our culture” – and that without them, “we cease to be truly Indian.”
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Spoken behind the walls of colonial forts and offices, English in India was at first the language of ledgers and treaties.

But as British rule expanded from the ports of Gujarat to the palaces of Delhi, it became the lingua franca of the colonial elite.

At independence, India faced a dilemma. With hundreds of languages and dialects spoken across its vast landscape, its newly appointed leaders grappled with the question of which one should represent the new nation.

Hindi, the predominant language in the north, was put forward as a candidate for official language.

But strong resistance from non-Hindi-speaking regions – especially in the south – meant English would remain only as a temporary link to unite the country. It’s a legacy that endures to this day – and still rankles some.

“I subscribe to the view that English is the language of the colonial masters,” Pradeep Bahirwani, a retired corporate executive from the southern city of Bengaluru, said, adding: “Our national language should be a language which… has got roots in India.”

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